The first side is made with a whimsical tapestry fabric with a woven asymmetrical medallion design in aqua, teal, wheat, and pale sage on a cream background. It reverses to an elegant jacquard fabric with a woven swirling design in mineral blue on an antique gold background. Cream cording laces up the front through 14 grommets and at the shoulders through 8 more grommets. The cording ends are crimped with aiglets for ease of threading and a nice, finished look.
I’m extra picky about lining up symmetrical fabric designs so the left and right sides of the bodice are mirror images. However, the medallion fabric is not a symmetrical mirror image. At first it bothered me that I couldn’t get it to line up. Then I realized I kind of liked the whimsical nature of it. 🙂
This very sturdy bodice is designed to achieve the period-correct conical figure (no darts or princess seams) by pressing the chest and stomach flat and squeezing the bosom up above the neckline. (Unfortunately, my dress form can’t “squish”, but hopefully you get the idea!). It has 8 pieces of supportive boning (a combination of coated spring steel and heavy poly…not that bridal stuff) and is interlined with heavy weight interfacing. What does all this mean to you? Superb support, comfort and excellent durability for many years of wear. The tighter the fit, the more “push up” and “cinching” effect achieved.
As with all my bodices, sewn shoulder seams are available upon request, but the bodice will no longer be reversible.
The Cotton Skirt
Is made with four full yards of buckskin 100% ‘Dream’ Cotton fabric in a light-medium weight. It has a drawstring waist for the perfect fit. (I prefer drawstring to elastic in the skirts of my own costumes since they can be worn very tightly under a gown or bodice without riding down.) Circumference is a full 144″. Serge hemmed to desired length up to 44 inches.
Chemise blouse sold separately.